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Amyl_logo

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Gacked On Anger

Cup Of Destiny

Simone Ubladi

Andrew Parisi

Renowned for their chaotic, heaving live show, Dec Martens (guitar), Bryce Wilson (drums) and Gus Romer (bass) smash through the hooks at breakneck pace, while ‘human firework’ Amy Taylor lights up the stage — an exhilarating ride that routinely leaves fans covered in blood, sweat and saliva.
Released in May 2019, Amyl and The Sniffers’ self-titled debut album earned the band a spot on the BBC1 playlist, plus rave reviews around the world. At home, the band secured an ARIA for Best Rock Album, scored Album of The Week on Double J, 3RRR and FBi radio, hit the number 1 spot on the Australian vinyl chart, and landed a place on the Australian Music Prize shortlist. Internationally, the band became media darlings, with features appearing in publications as diverse as Thrasher, MOJO and The Guardian to Vogue, Vice and Flaunt. 
From high fashion to dirty punk zines, heaving back rooms to major festival stages, the band continues to explode boundaries, giving no fucks and winning new fans every time they play.

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Amyl & The Sniffers

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Stride

Avalon

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His vocal howl is delivered over driving hammond and guitars, with a lockstep machine backline that’ll burn the roof of your mouth. Flashes of western paddock-basher boogies that melt and make way for sonic salves of a simpler time and place: a groove, leisurely and lackadaisical.Beans have brought their kinetic energy to stages across the country, including festival appearances at the coveted psych odyssey; Gizzfest, Boogie Fest, New Year’s Evie, SXSW online, as well as King Gizzard tour support.

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Beans

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Legal Ghost

Heaven

Listening to Tropical Fuck Storm is a jarring and exhilarating experience, full of pulsating grooves, black humour, dissonant experimentation, and unsettling dystopian plot-lines. 
“Tropical Fuck Storm is a full-on thing,” Liddiard offers. “Everything we do, we do it to death.”

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Tropical Fuck Storm

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Supermoon

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Secret Enchanted Broccoli Forest

Todd Wagstaff

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Babe Rainbow

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The Look You Gave

Lullaby For Refuge Cove

Simone Ubaldi

With her throaty vocals, acoustic guitar, and harmonica, Cummings conjures the sound of the early-&#8217;60s folk revival, singing with great command her poetic musings to a minimalist accompaniment that alternates between fevered strumming and delicate fingerpicking. She&#8217;d barely begun gigging locally when a Facebook video of her singing Bob Dylan&#8217;s &#8220;It&#8217;s All Over Now, Baby Blue,&#8221; caught the attention of Flightless Records, the label run by Melbourne psych favourites King Gizzard &amp; the Lizard Wizard. By the beginning of 2019, Cummings was opening regional shows for J Mascis and Do Re Mi and working on her first album. Released later that November, Refuge Cove bore a vintage analog tone and presented Cummings&#8217; earthy folk songs in a spacious, all-acoustic setting.

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Grace Cummings

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Free 2 B Free

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Ulla Dulla

Appearing on lineups alongside such contemporaries as Montero and Sonny &amp; The Sunsets, both solo and supported by his band (Jack Kong, Myles Cody and Jesse Williams).  Olsen’s song writing palette is broad and patient, all the while punctuated with fascinating samples and tasty percussion &#8211; a sonic cleverness that encapsulates the Zak Olsen sound.

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Traff

Traffik Island

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Viewbank

The Simpson's Suck Now

Tyson, Crying was recorded in late 2018 with minimal equipment and minimal know-how in his studio above the stairwell at Flightless HQ.
&#8220;It&#8217;s pretty much a techno record made with a demo version of Reason and an Ableton crack. Due to the software limitations I couldn&#8217;t save any sessions out which forced me to finish each track on the spot'&#8221;  &#8211; Joey Walker.

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Bullant

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Evergreen

Dreary Day

Her breakthrough album Pretty Faces twirls gently in its own form of psych-folk revival. The Melbourne-based artist creates fragile but effortlessly nimble melodies with soaring vocals that call from another time and place.
Senior’s captivating live performances have seen her supporting international artists including Calexico, Jeff Tweedy, Jessica Pratt, and Bedouine, to name a few. When performing, Senior is joined by her sister Andi and guitarist/pianist Jesse Williams creating a tapestry of ethereal harmonies and jangly 60s guitar tones. Her more recent material is performed with a full band and has a lightness reminiscent of Paul McCartney.
Leah Senior has performed extensively throughout Australia and Europe, playing at major festivals including Golden Plains, Queenscliff Music Festival, OOAM (Switzerland) and more. Early 2019 saw Leah Senior embark on her first headline international tour in support of her most recent single &#8220;Graves.&#8221; She played to full rooms in Spain, Switzerland, Germany, France and the UK.

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Leah Senior

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Sweets & Treats

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The Way She Walks (On The Moon)

Cook Craig bridges the peculiar with the familiar in a way that only Pipe-Eye can. Applying his singular lens across three releases now, fans have flocked to his buoyant, addictive brand of psych pop that shape-shifts with unpinnable ease.

Pipe-eye

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KGATLW

Pleura

If Not Now, Then When

Michelle Cable

Where they are now arguably the country’s most innovative, important and productive rock band. International critical acclaim. Headline festival appearances. And perhaps most importantly, a fervent worldwide fanbase who share endless memes, mixes, videos, graphics, theories and discussions, all through which they explore and expand what they have termed ‘The Gizzverse’.

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King Gizzard & The Lizard Wizard

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Space Between The Planets

I Want What I Want

hat began as three former garage band mates Zak Olsen, Daff Gravolin and Jamie Harmer (The Frowning Clouds) experimenting with a heavier sound,  quickly evolved into a project that has been expanding exponentially ever since.
From the great enveloping cosmic dark, ORB realised their maiden long player ‘Birth’. A bio-engineered, proto-metal payload of dystopian sci-fi. Electrodes attached by starlight to a petri-dish, allows pathogens to infect pickups and synthesizers to awaken synapses on ORB’s sophomore project; Naturality (2016).
Riding the inertia of Naturality, ORB successfully navigated a massive run of international shows, including huge tours of Europe and a US tour with King Gizzard, including an impressive 11 shows in 5 days at Austin’s South by Southwest.
Beautiful echoes of the past/warnings of a dark future permeate ORB’s fourth and most recent release ‘Space Between the Planets’ (2018). Fans of their previous releases feel an immediate pay-off with waves of wah and fuzz drenching globular bass lines and the punchiest of rhythms, poignantly struck. ‘Space Between’ sees the ORB sound diversify, a new face/a new phase of their alchemical sonic signal.

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ORB-2

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Sleep

Dead Alive

Ryan Menge

For over a decade, the four Findlay sisters have seemingly existed within their own stellar nebula; unaffected by fleeting modern musical trends, their sound is a homage to the prog, metal and psych powerhouses of the 70s whilst remaining completely their own. 
From practicing in their family shed as teenagers, to touring the world with Fleetwood Mac, Black Rebel Motorcycle Club, King Tuff, and King Gizzard, it’s been a strange trip for the four Findlay sisters. As Stonefield, they’ve got three albums and thousands of miles under their belts, plus plenty of perspective on what it’s like to fight to make a place for themselves, and tell their own story.
“Our new record is about our own experiences and stories,” explains Amy, “Songs about the fear of walking home alone at night, stories of what it’s like being an all-female band and the power of supporting one another.&#8221; With that being the lyrical subject, the music that came out is definitely our heaviest.” 
By taking control of the narrative, and pumping it up with stack-blowing, guitar hero riffs and razor-edged vocals, it becomes an album of power, control, and confidence&#8211;projected in the face of a world that too often forces the opposite.

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Stonefield

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Francesca

Skyrocket

Forged in their homelands of Victoria&#8217;s Surf Coast near Geelong in 2011, across the course of two EPs, five albums, and a dynamic presence on the live circuit, The Murlocs have established themselves as a much-loved staple of the Australian psych and garage scene. They have shared stages in support of The Pixies, Mac DeMarco, Ty Segall, Stephen Malkmus and Gary Clarke Jr., and have made appearances at festivals such as Gizzfest, Splendour In The Grass, Austin Psych Fest, Meredith Music Festival and Boogie.

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Murls

The Murlocs

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The Cruelest Cut

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Kind Hearts featuring Spike Fuck

The band has self-released a number of singles and two EPs, which was met with adoring reception. 2020 saw the release of their first 7&#8243; single, ‘The Cruellest Cut’, with Flightless Records. The double A-side release consists of ‘Kind Hearts’, a lonesome cowboy ballad featuring Spike Fuck, and the title track, ‘The Cruellest Cut’, a synth-drenched punch of &#8216;Motel Pop&#8217;.Influenced by the music of Bruce Willis and the films of David Bowie (so they say), The Slingers have sought through their music to balance and synthesise a number of oppositional artistic forces: lyrics that are both tongue-in-cheek and haltingly sincere, live energy that borrows simultaneously from Elvis and Angel Olsen, and a sound that is as comfortable producing outlaw country as it is exploring drum machines and synthesisers.

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The Slingers

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Radiant Eye

Tell The Papers

Making a name for themselves through the intensity of their live shows, CIVIC have sweated and smashed through stages at home and abroad. Headlining tours across EU &amp; The UK, with performances at Manchester Psychfest and Binic Folks Blues Festival (France), and the beloved local fest Golden Plains.

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Artists